Beautiful, pure colouring depends on ability to work as the various tool: brushes, platens, tortsovkami etc. That colouring was homogeneous, at each lowering of a brush in a paint it is recommended to mix it, warning deposit formation.
Surpluses of a paint slightly wring out about ware edge, warning its running off on a floor. At colouring the brush is recommended to be held perpendicularly to a surface or at a small angle, doing thus uniform waves and covering a surface with long wide strips - strokes of a paint which well shade that does not remain rough strips.
Cleanliness of a painted surface in many respects depends on pressing a brush and a thickness of a put paint coat. If a brush to press poorly the paint lays down in the form of narrow strips, often thick, rough layer. Thus there are admissions. From strong pressing a brush from it the paint flows down, forming begin to flow, but at the same time under a brush there is more thin, easily shaded paint coat. It is expedient to do so. Having put to a surface a brush, it at first press slightly, however in process of an expenditure of a paint pressing gradually increase, it is good it shading. It is possible to make the platen of a rag or foam rubber and to strengthen it on the handle on 30-50 mm below a brush, to warn running off on it paints.
The Painted surface should be absolutely smooth. In it the essential role is played by a direction of strokes of a paint: they should be crossed at right angle.
Colouring of walls. At first a paint put horizontally, i.e. On length of a wall, on its any part (zahvatku), and there and then a fresh paint shade on wall height. Thus horizontal strokes are blocked vertical, painted over and probably left admissions.
Happens that walls are covered by a ground in which there is not enough chalk. To cover such green ground for once it is almost impossible, colouring should be carried out twice. At the first colouring strokes put in one direction, at the second - in other. If it is necessary to paint walls three times at the first and third colourings strokes put vertically, at the second - it is horizontal.
Colouring of ceilings. In this case consider falling of light from windows: finishing touches should be directed from a window, i.e. In a direction of light beams.
If colouring carry out for two times the first strokes put to perpendicularly light beams, and the second in parallel. When the structure is put across light beams, on strokes shades in the form of threads are formed, revealing non-uniformity of colouring.
If light gets to a premise from windows not on the one hand, and with two or three finishing touches direct on length of a ceiling.
Features of drawing of oil structures. Shade an oil paint at colouring for once so: on the plastered walls - vertically, on wooden surfaces - along tree fibres, on floors - in a direction to a window, on a roof - along a slope, i.e. From the fad to trenches. At colouring for two times: on walls the first layer shade horizontally, the second - vertically, on a tree the first layer - across fibres, on floors - from a window, and the second layer the same as and at colouring for once. Sometimes paint for two-three times if surfaces rough and them wish to make more smooth at the expense of drawing of a thick paint coat.
Work mahovymi brushes. Usually mahovye and other big brushes apply to colouring of the big surfaces. An operating procedure such brushes the following. Moisten a brush in a paint, wring out its surpluses about edges of ware and start to drive a brush on walls from top to down and from below upwards or at first it is horizontal, and then vertically, imposing strokes of a paint without admissions, carefully them shading to leave a thin paint coat (fig. 84).
In an operating time the brush probe hold two hands and drive a brush in all scope, doing strokes as it is possible more long. It is possible to work and so: the left hand krepkoderzhat the probe, and right drive it. In this case the hand slides on the probe coming nearer to the left hand leaving from it.
Mahovuju a brush regularly rotate Colouring of top of a wall in hands that it worked well together from different directions, getting the torch form. If it not to do, its hair so communicates that will take the form of a shovel, and to work as such brush less conveniently.
Not to soil eaves, under them paint a strip in width of 25-40 sm, applying a brush-bench hammer (fig. 85).
Work as bench hammers. Bench hammers concern small brushes, and them basically apply to colouring of window covers, doors, platbands, plinths etc.
Paints on them type wring out surplus about a mixer or edge of ware a little and shade on a surface a thin layer. Shading of a paint by bench hammers conduct in two directions, and, the accepted order of shading should be observed before the termination of colouring of all surface. A bench hammer hold so that brush hair worked not as an end face, and a lateral part (fig. 86. Pressing should be such force that hair was slightly curved.
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